VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Clown oil painting


Clown
mk237 1634 Oil on canvas
Painting ID::  54723
VELAZQUEZ, Diego Rodriguez de Silva y
Clown
mk237 1634 Oil on canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Clown oil painting


Clown
mk237 1634 Oil on canvas 209x123cm
Painting ID::  54724
VELAZQUEZ, Diego Rodriguez de Silva y
Clown
mk237 1634 Oil on canvas 209x123cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Prince oil painting


Prince
mk237 1634-1635 Oil on canvas 209x173cm
Painting ID::  54725
VELAZQUEZ, Diego Rodriguez de Silva y
Prince
mk237 1634-1635 Oil on canvas 209x173cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Assumption oil painting


Assumption
mk237 1618 Oil on canvas 135x101.6cm
Painting ID::  54726
VELAZQUEZ, Diego Rodriguez de Silva y
Assumption
mk237 1618 Oil on canvas 135x101.6cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Oriental three doctor oil painting


Oriental three doctor
mk237 1619 Oil
Painting ID::  54727
VELAZQUEZ, Diego Rodriguez de Silva y
Oriental three doctor
mk237 1619 Oil
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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